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It’s really an honor if people want to take your songs, look at them and ask you about them.
I don’t read any of the press, good or bad, I don’t think it’s healthy.
It’s about what people can take of what I give them and make their own decisions.
A few tense moments and surprising (if not entirely shocking) revelations aside, what follows is — with minor edits for the sake of clarity, length and adult language — a transcription of the conversation that took place between Shelby Lynne and myself.
I don’t think what I do is important enough to think about it too much.
I don’t know if you can actually call it playing them.
When you make music for a living, people are going to have their opinions.
The intimate chat surprised (and revealed) both interviewer and subject and before it’s over, Shelby, in her sweet but unmistakably, wholly persuasive Southern drawl, specifically requests that the entire conversation appear in print just as it happened.
In terms of the canvas for , what are the colors we’re looking at?
I sometimes wonder about Ira and George Gershwin sitting around a piano, writing.
Eventually, I realize I’m not about to be banished and we settle back into our discussion about her music.
And it’s not the first time you’ve been asked these questions.